Each of Ibert’s Trois pièces brèves is a musical gem together, they showcase the translucent, delicate timbres of the wind family. Gasse translates to ‘alley’ a Gassenhauer is a catchy tune one might find oneself whistling, the classical equivalent of today’s pop hook. The nickname comes from the third movement, variations on a theme from a popular comic opera. We open with Beethoven’s ‘Gassenhauer Trio’, an early chamber work written flexibly for piano, clarinet (or violin) and cello (or bassoon). This program flies in the face of Shakespeare’s aphorism and revels in the sparkling effervescence of some of the most delightful chamber works for woodwinds. For Derek Jarman, gold elevates colour, imbues it with greater brilliance. All that glitters is not gold, discovers one of fair Portia’s suitors in Shakespeare’s The Merchant of Venice.
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